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For the better part of three months, I have been kicking myself for missing my only opportunity to see Emilia Pérez in theaters at the Telluride Film Festival. But now that the film has been unceremoniously dumped on Netflix—as all Netflix-acquired films are—I am suddenly at peace with my decision to call a last-minute audible and abandon the Emilia Pérez screening to attend a Q&A for Ali Abbasi’s The Apprentice.
